The Classic Big Screen Experience. Our 1 Series Fixed screens are available out of the box with standard sizes to make the product not only value-oriented but also give it the capability to be quickly produced and fulfilled. PDF 1.7 MB All Drawings. 19 / 64 0.297 7.54 64 / 64 1.000 25.40 19.5 / 64 0.305 7.74 20 / 64 0.313 7.94 8 mm 0.315 8.00 Special 20.5 / 64 0.320 8.14 21 / 64 0.328 8.33 Perf Decimal Metric (mm) 21.5 / 64 0.336 8.53 32 / 64 0.500 12.70 22 / 64 0.344 8.73 22.5 / 64 0.352 8.93 Triangle 23 / 64 0.359 9.13 Perf Decimal 23.5 / 64 0.367 9.33 9/64 Triangle, 5-1/2 V Special 24.
ER collets have a wide clamping range and high accuracy. While they are designed for tool holding, they work great for work holding in small lathes. With a full set of ER collets you can hold any diameter that is in the clamping range of the set.
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ER Collet | Length | Diameter | Clamping Range |
---|---|---|---|
ER-11 | 18 mm (0.71') | 11.5 mm (0.45') | 0.5—7 mm (0.020—0.276') |
ER-16 | 27.5 mm (1.08') | 17 mm (0.67') | 0.5—9 mm (0.020—0.354') |
ER-20 | 31.5 mm (1.24') | 21 mm (0.83') | 1—13 mm (0.039—0.512') |
ER-25 | 34 mm (1.34') | 26 mm (1.02') | 1—16 mm (0.039—0.630') |
ER-32 | 40 mm (1.57' | 33 mm (1.30') | 1—21 mm (0.039—0.827') |
ER-40 | 46 mm (1.81') | 41 mm (1.61') | 3—26 mm (0.188—1.024') |
There are several types of collets that look like ER collets. If your collet looks like an ER collet, but does not match one of the sizes shown above, it is a different type of collet and not an ER collet.
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The table below shows the available sizes of ER collets. Click the collet size at the top of the column (ER-32, for example) to go to the page that lists all the collets in that size range. This makes ordering several collets in the same size range simple. Paperless 3 0 0 – digital documents manager download.
Size | Range (in) | Range (mm) | ER-11 | ER-16 | ER-20 | ER-25 | ER-32 | ER-40 |
---|---|---|---|---|---|---|---|---|
1/32' | 0.020—0.039' | 0.5—1.0 mm | 4797 | 4613 | ||||
1/16' | 0.039—0.079' | 1.0—2.0 mm | 4601 | 4614 | 4620 | 5053 | 4558 | |
3/32' | 0.079—0.118' | 2.0—3.0 mm | 4398 | 4615 | 4621 | 5054 | 4559 | |
1/8' | 0.118—0.157' | 3.0—4.0 mm | 4454 | 4434 | 2443 | 5055 | 4560 | 5885 |
3/16' | 0.157—0.197' | 4.0—5.0 mm | 4455 | 4435 | 4622 | 5056 | 4561 | 5886 |
7/32' | 0.197—0.236' | 5.0—6.0 mm | 4399 | 4616 | 4623 | 5057 | 4562 | 5887 |
1/4' | 0.236—0.276' | 6.0—7.0 mm | 4456 | 4436 | 2444 | 5058 | 4563 | 5888 |
5/16' | 0.276—0.315' | 7.0—8.0 mm | 4617 | 4624 | 5059 | 4564 | 5889 | |
11/32' | 0.315—0.354' | 8.0—9.0 mm | 4619 | 4625 | 5060 | 4565 | 5890 | |
3/8' | 0.354—0.394' | 9.0—10 mm | 4618 | 2445 | 5061 | 4566 | 5891 | |
13/32' | 0.394—0.433' | 10—11 mm | 4626 | 5062 | 4567 | 5892 | ||
7/16' | 0.433—0.472' | 11—12 mm | 4627 | 5063 | 4568 | 5893 | ||
1/2' | 0.472—0.512' | 12—13 mm | 4628 | 5064 | 4569 | 5894 | ||
17/32' | 0.512—0.551' | 13—14 mm | 5065 | 4570 | 5895 | |||
9/16' | 0.551—0.591' | 14—15 mm | 5066 | 4571 | 5896 | |||
5/8' | 0.591—0.630' | 15—16 mm | 5067 | 4572 | 5897 | |||
21/32' | 0.63—0.669' | 16—17 mm | 4573 | 5898 | ||||
11/16' | 0.669—0.709' | 17—18 mm | 4574 | 5899 | ||||
23/32' | 0.709—0.748' | 18-19 mm | 4575 | 5900 | ||||
3/4' | 0.748—0.787' | 19—20 mm | 4576 | 5901 | ||||
13/16' | 0.787—0.827' | 20—21 mm | 4578 | 5903 | ||||
27/32' | 0.827—0.866' | 21—22 mm | 5904 | |||||
7/8' | 0.866—0.906' | 22—23 mm | 5905 | |||||
15/16' | 0.906—0.945' | 23—24 mm | 5906 | |||||
31/32' | 0.945—0.984' | 24—25 mm | 5907 | |||||
1' | 0.984—1.024' | 25—26 mm | 2908 |
I am a long-time user and fan of Fujifilm’s excellent XF 56mm f/1.2 R lens. Social pro v1 15. I’ve never even thought twice about another portrait lens for the system since I bought it, that is, until I saw the specs on the company’s new XF 50mm f/1.0 R WR lens.
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It would seem so, at least according to YouTuber and Fujifilm ambassador Jonathan Branch IV. In his video, YouTuber and Fujifilm ambassador Jonathan Branch compares the 56mm f/1.2 to the 50mm f/1.0 in an unscientific portrait shoot on his Fujifilm X-T3s.
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While to my eye, most of the photos appear to be almost exactly the same, Branch does talk about how much more he likes the 75mm equivalent focal length in the 50mm compared to the 85mm of the 56mm. It’s a bit of an odd duck as a portrait lens, since most times, the classic focal length on a full frame camera tends to be the 85mm. I tried to love my Fujifilm XF 90mm f/2 R LM WR lens for portraits, but I always come back to the shorter 56. It just renders such beautiful bokeh compared to most other lenses (and I don’t even have the APD version that’s designed for better bokeh), and the shorter working distance means easier conversation with my subject to put them at ease while photographing them.
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One reason I’ll occasionally bust out the 90mm over the 56mm is that “WR” designation. The weather-resistance of Fuji lenses is top-notch, and sometimes, that can let me shoot in situations the 56mm can’t. That’s a key distinction also between the 50mm f/1.0 and the 56mm f/1.2, something that Branch didn’t talk about but that’s worth noting.
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Curiously, while DPReview reports the 50mm f/1.0 to be a bit softer and slower in autofocus compared to the 56mm f/1.2, Branch reports the exact opposite to be the case. For me, the 56mm f/1.2 is so sharp wide open, I can’t imagine that any new lens could be much better.
What do you think of the 50 mm f/1.0? Will it find a home in your camera bag? Leave your thoughts in the comments below.